Aiming at radically stimulating one’s creative side through mental games and tactics, overcoming the difficulties of working as a collective, challenging the egocentric mind, and unveiling the adventurous side of the creative approach, this workshop is fully experiential and we are not expecting any definitive forms or results (just like life).The workshop is an attempt at redefining/breaking and reshuffling the classic/academic norms and definitions of art, beauty, aesthetics, and approach, and discovering what’s beyond through intensive exercises, readings and reversed psychology based schemes.
Taymour Grahne Gallery is proud to present Bricks, a solo exhibition of new thick oil paintings, watercolors, and sculptures by Brooklyn-based artist Nadia Ayari.
Relating to the ongoing debate on the interconnections between art, society and the public, Denormalizing Bodies. Rehearsing Citizenship will focus on the body’s capacity for action whithin these dynamics.
March Meeting 2016 (MM 2016) will consider how institutions, initiatives, curators and artists have increasingly prioritised their relationships with audiences and communities through current thinking around ideas of education, engagement and participation.
Art Dubai is the leading international art fair in the Middle East, Africa and South Asia. The tenth edition of the fair takes place March 16-19, 2016 in Dubai, United Arab Emirates. Taking place each year in March, Art Dubai 2016 features the largest and most internationally diverse line up to date, hosting 94 galleries from 40 countries.
The Marrakech Biennale is a festival with the mission to build bridges between the cultures through the arts. We inspire outstanding artists from all over the world to create work that responds to the the magical environment of Marrakech.
This winter's Selections looks at works in the Sharjah Art Foundation Collection acquired from Sharjah Biennials or Sharjah Biennial artists. The works on view include Lara Almarcegui's work shown in SB8, Basma Alsharif's experimental-documentary video and installation, as well as works from SB9 and SB10 by Iman Issa and Slavs and Tatars and a sculptural work by Adrián Villar Rojas.
Debating Modernism II focuses on figurative works of art in the Barjeel Art Collection produced between 1968 and 1987.