|
|
Articles on Mohammad Ehsai
Mohammed Ehsai's Modernist Explorations in Calligraphic Form and Content
by Hengameh Fouladvand
Artist/educator Mohammad Ehsai is one of the most renowned trendsetters in what is now called the art of calligraphic painting (Naghashi-khat) in the Middle East and specifically Iran. Rarely has the work of Mohammad Ehsai been discussed with an analytical eye or a refined method. Rather, his work has often been intellectually marginalized. By situating him in the modernization movement and culture of his time, this article intends to broaden the discourse both visually and from a theoretical point of view. Looking at Ehsai’s work as “a case study” for calligraphic art in Iran would probably satisfy many, but will be unmerited and lack sophistication. >>>
Mohammad Ehsai the Artist/Educator
by Massoud E. Mansouri
Mohammad Ehsai was still a student in Iran when the need for better visual and verbal communications lead to exploration in printed words and advertising materials such as posters, Types, logos, book and magazine covers, and page layouts. The influence of the modern era on artistic creations, new production techniques, and revolution in typography essentially necessitated the creation of a department of graphic design. However, when Mohammad Ehsai started his studies in the Fine Art Department of University of Tehran there was still no separate visual design department with an emphasis on modern graphics.>>>
All
images and text are copyrighted material owned by either the artist and/or
writer and are reprinted with explicit permission for ArteNews and cannot
be reprinted without consent of artist or author.
Click here for the gallery
Bio:
Mohammad Ehsai was born in Qazvin, Iran in 1939. Ehsai was classically trained in traditional calligraphy, such as Nastaliq and Muhaqqaq. He was one of the leading artists incorporating Persian script, into new artistic expressions shaped by symbolic art forms found in Shi’i religious works. As an intellectually curious artist, his desire to know more about the way in which art is expressed in different cultures led him to travel and study in several European and Asian countries, where he also exhibited widely.
From 1958 to 1978 he taught in schools in Tehran for the Ministry of Culture and Education. He entered Tehran University as a student in the Fine Art Department in 1966. After graduating in 1971 he was asked to join the Faculty of Fine Art, Tehran University. In addition to teaching, Ehsai was the Designer, Calligrapher, Art Expert and Editor of art books for Iran Education Books Organization. Ehsai is a member of the Board of the Iranian Institute of Calligraphy, Iranian Calligraphers Society, Iranian Graphic Designers Society (IGDS), the Board of IGDS, member of the Iranian Academy of Art, and an art consultant to Tehran Contemporary Art Museum.
Ehsai’s awards and honors are numerous in Iran and elsewhere; among his many awards are the Award for the Best Designer of the Year (1973), French National Award, International Painting Festival, First Prize (1974); Honorable Mention, ISESCO (2005), National Award for Art and Culture (2005), and the National Award (First Degree Medal) of Art and Culture, from the President of Iran (July 14, 2005).
Because his artistic vision moves seamlessly across the boundary of traditional calligraphy and new modes of creating design, he has been extremely influential on the younger generation of artists and graphic designers. He has written articles on calligraphy, and Iranian and Islamic art, and lectured widely in Iran and elsewhere.
Ehsai’s artworks have been shown in many important sites including The State Hermitage Museum (The Dance of Quill and Ink. Contemporary Art of the Middle East, 2007). An example of his work is included on the Time Line of Art History on the Metropolitan Museum of Art web site. The excitement that his work has garnered among discerning collectors of Middle Eastern art is reflected in the recent Christie’s Art Auction, Dubai (April 2008). Clearly the significance of his art production is being acknowledged on an international level.
Ehsai has been prolific in all areas of art making, from teaching students to consulting on various art projects. His art work ranges from calligraphic paintings to calligraphic murals on architectural structures such as the Iranian Embassy in Abu Dhabi, United Arab Emirates (1988-1991), and other important architectural spaces in Tehran (Natural Museum of Iran and University of Tehran Academy of Theology). Over the course of his career he has moved from traditional calligraphy to the development of a blending of traditional with contemporary modes of artistic production. His importance to the development of modern graphic design in Iran and elsewhere should not be underestimated.
Dr. Sharon LaVon Parker
*********************************************************
Sharon LaVon Parker is a professor of Art History, Department of Art and Design, at The College for Women, Kuwait University, Kuwait. In January 2009 she will return to the Department of Art and Design, Zayed University, Abu Dhabi, United Arab Emirates, where she taught previously. Dr. Parker was awarded her degree in Comparative Cultural and Literary Studies from the University of Arizona, Tucson, Arizona. She received First Prize from the Iranian Studies Group M.I.T. and Alumni Association Sherif University of Technology (Iran) Award (First Prize for Best Theses on Contemporary Iranian Society) for her dissertation on contemporary Iranian and Iranian American women artists. Her interest in modern and contemporary Iranian art stems from the many years she lived in Iran.
Dr. Parker has written exhibition essays and articles on contemporary Iranian artists. Her essay entitled “Contemporary Iranian Women Artists” is included in the Encyclopedia of Women and Islamic Cultures: Iran, Suad Joseph (general editor), E.J. Brill (2007).
Links to other sites on Mohammad Ehsai:
|
