ArteEast and the Hagop Kevorkian Center for Near Eastern Studies present: Poets, Painters, Rebels, Spies: On Art and the (A)political in Beirut A joint book launch and conversation with Robyn Creswell and Kaelen Wilson-Goldie Feb 12 @ 6pm Reception to follow 255 Sullivan St (at Washington Square South)
Join us for a special film program organized by ArteEast, featuring two Syrian films – one animated short and a feature film in association with Artistic Freedom Initiative’s Community Partnership Exhibtion: Executive (Dis)Order: Art, Displacement, & the Ban The screenings will be held on December 16th and repeated on January 19th, both days at 3 […]
October 16, 6:30 pm, NYU Hagop Kevorkian Center for Near Eastern Studies, 255 Sullivan Street How are women in today’s Egypt navigating the structures of the nation state: social systems, economic responsibility, and familial ties in a changing urban landscape? This panel brings together leading journalists, urban scholars, and artists to discuss the current political and social climate in Cairo. Speakers: Lina Attalah, Publisher of Mada Masr Judith Barry, Artist, Professor | Director of the ACT program at MIT Mona El-Naggar,The New York Times, Senior Producer, International Video Omnia Khalil, PhD student, Anthropology, City University of New York (CUNY), Co-founder of 10 Tooba| Applied Research on the Built Environment (Cairo)
Join us Tuesday, August 7, 7pm at UnionDocs for an evening with Egyptian filmmaker Aida ElKashef, in conversation with Sarah Leah Whitson, Executive Director of Human Rights Watch's Middle East and North Africa Division. The evening will feature a sneak preview of Aida ElKashef’s The Day I Ate The Fish, the feature documentary in-progress revisits stories of women behind bars in Egypt’s infamous women’s prison, Al Qanater, convicted of murdering their husbands. The evening will include a screening of ElKashef’s activist video work with Operation Anti-Sexual Harassment (OpAntiSH), active in Egypt during the revolution to combat sexual harrassment and sexual assaults of female protestors in Tahrir Square.
Join us on Wednesday, June 27 at 7pm for the culminating evening in this season’s ArteEast series Films, Facts, and Fiction to be held at e-flux. The evening features a selection of short films by Larissa Sansour and Søren Lind, Ghassan Salhab and Mohamed Soueid, Monira al-Qadiri, and Ayman Nahle, and a music video coda by Meriem Bennani. Sampling an array of genres from science-fiction to the essay film, documentary détournement, and the music video, the five works, each in their own way, perform a subtle queering of place—political or intimate, made up or registered. Some are funny, and all are touching.
Join us at e-flux on Wednesday, May 16 at 7pm for the second evening of ArteEast’s spring screening series Films, Facts, and Fiction. The evening features Eric Baudelaire’s latest film Also Known As Jihadi (2017), followed by a video broadcast by the filmmaker recorded especially for the event, and live responses to the film by Alia Ayman […]
Friday, April 27, 7pm e-flux 311 E Broadway New York, NY 10002 Join us on Friday, April 27 at 7pm at e-flux in New York City for Films, Facts, and Fiction—the first in a series of screenings presented by ArteEast to be held ate-flux this spring. The evening features a selection of short films by Michael Rakowitz, […]
Artists Basmah Felemban and Poonam Jain in conversation with curator Sarah El Adl at Art Week Majlis Talks, Dubai on Friday, March 23, 2018.
ArteEast is pleased to announce the launch of our 2017 online benefit auction, hosted on the Al Bahie platform. The auction, featuring 29 works of art by artists from the Middle East and North Africa and their diasporas, will provide major support to ArteEast’s programs to support contemporary creative expression in the MENA region, including […]
ArteEast, in its capacity as a partner of Asia Contemporary Art Week, is pleased to announce two collaborations as part of this year’s ACAW platform, now in its 12th edition. Curated and edited in its second iteration by Osman Can Yerebakan as a publication of ArteEast’s Quarterly journal, Asia Contemporary Art Week’s online journal FIELD […]