Figure 3: The reconstruction of Haret Hreik: design options for improving the livability of the neighborhood. Beirut: AUB – Reconstruction Unit at ArD. Fawaz, M. and Ghandour, M. (eds.) (2007)
Land development eventually became a way to invest capital earned elsewhere (especially in Africa and/or the Arab Gulf), to consolidate and improve its value, and to earn social standing in the community for the provision of housing.
The neighborhood destroyed by the Israeli blitz in 2006 hence embodied the experiences of forced population displacements (civil war, Arab-Israeli conflict), circulation and consolidation of know-how in the making of urban spaces, networks of capital that connected the geography of the Lebanese civil war to extra-national contexts, social solidarities, etc. It is precisely this experience which is left-out by the reconstruction project that replaces the thick web of social relations formed and/or maintained during the historical phase of spatial production, with the private agency’s hierarchical organizational model of operation. This socio-historical aspect of space is currently being permanently erased through the postwar reconstruction project. Indeed, the centralized mode of operation in which Hezbollah’s Wa‘d is operating leaves little room for other actors to intervene. Taking the formal dimensions of the buildings as they stood in 2006 prior to their demolition, the agency has, as described above, established a completely different model of spatial production in which the entire interface between client/dweller and developer goes through the agency that is also responsible for all decisions regarding common building facilities. Moreover, the agency has also single-handedly developed the design guidelines implemented in the reconstruction of all public spaces (e.g. streets, sidewalks, etc.) in the neighborhood. Hence, the new neighborhood is exclusively produced by Hezbollah and it is in the modalities of this production process thatboundaries created by the war are consolidated.
The negation of the historic mode of production and the adoption of the boundaries of the buildings demolished by the Israeli air raids as the actual limits of the reconstruction project reveals an actual dismay/distaste for the pre-war fabric. This distaste is perhaps best revealed in the motto of the project –posted on the panels of every building and on magazine advertisements, that promises that Haret Hreik will be rebuilt more beautifully than it was: “nu‛amirouha ajmal mimma kanat”
Figure 4: An advertisement in Cedar Wing: the inflight magazine of Middle East Airline, AirLiban. Issue #100, August-September 2007.
Needless to say, the motto carries an undertone of resistance; one that suggests that what was lost is not worth lamenting for since it will be recovered, albeit in a more beautiful form.[xv] of the project on its website suggest that this form is considered more beautiful mainly because of the new material finishes that will be applied on apartment blocks and streets that are still rebuilt with stringent spatial conditions and inadequate public facilities; but a critique of this approach is outside the scope of this essay.
Spatial erasure
Judging from the analysis of these two projects, it is possible to argue that reconstruction consolidates the geography of war and accepts its new timeline as fact. The two postwar reconstruction projects described in this essay are conceptualized in continuity with the war that delineates their geographic extent and marks the starting point of their respective histories. In this regard, the projects bear little resemblance to the pre-war fabric. In fact, anything prior to demolition is reduced to a reservoir of moments, selectively invoked to serve the interests of the new project, stripped from social and/or political significance. Economic entitlements are also dis-embedded of their social milieu and abstracted into shares and/or forms. Hence it is possible, indeed important, to speak of spatial erasure. It is an erasure that operates on the social, political, economic, legislative, and environmental dimensions of space. These dimensions are subdued to the consolidated, abstracted definition of space that the conquerors of the new space impose, namely that of capital –be it economic and/or political. In this re-formulation of space, both the Wa‘d and Solidere projects replace an existing social network of developers and/or property owners and users by a centralized network, that of the political party’s agencies in Haret Hreik and of neo-liberal capital in Beirut downtown. In both cases, individual claims are addressed to the newly established central authority on urban development (Wa‘d and/or Solidere), which replaces all other authority, whether traditional (familial, social) or non-traditional (government). The centralization of decision making breaks down social networks by marginalizing their holders and allowing production to happen in one form only: between individual (resident/ client-developer) and central privatized authority (Wa‛d/Solidere). The spatial entities defined by the projects eventually emerge as privatized spaces in the city, where the role of state authorities is –whether antagonistic or sympathetic– always that of a facilitator rather than an engaged public planning actor. Far from a process of healing the scars of war, this radical change in the characteristics of the ‘reconstructed’ neighborhoods positions reconstruction projects as a continuation and even a consolidation of the war-induced processes of change.